Words have failed me – never a good sign in a writer.
I have just listened to the audio of my story The Miller’s Daughter, as narrated for Remastered Words by the talented Diana Croft, and I’m in awe, plain and simple, over her ability to make words I thought I already knew delight me, surprise me, and even move me to tears. What is this strange magic?
The audio is now available online, along with an author interview in which I ramble on about inspiration, self-doubt, and fairytales, and apologise to no less than two different authors. The interview is there to stay, but the audio is only online for a limited time, after which if you want to listen you will have to purchase the 2018 audio anthology when it becomes available.
So what are you still doing here? Go have a listen!
Happy Asexual Awareness Week, folks!
This week is the perfect time for you to learn more about asexuality – by attending an event if there’s one near you, or simply by checking out some of the great ace content that’s available for free online. Here are my top picks for anyone who wants to immerse themselves in ace:
Continue reading “Asexual Awareness Week 2018: have some resources!” →
Why do we keep telling apocalypse stories? Surely there are only so many ways to write the end of the world. So why is it such a fertile subject for speculative fiction?
There are multiple answers to that question. As a predictive tool, apocalypses let us highlight the hazards we see in the world today or imagine in the world tomorrow. As a setting, a world gone mad provides plenty of fodder for daring action sequences and thrilling near-misses. But the apocalyptic story that reached out from the screen and grabbed me this week contains neither prediction nor action.
Instead, Shauna O’Meara’s ‘Heart Emoji at the End of the World’ demonstrates another reason the apocalypse is such brilliant writing fodder: it has a potential for emotional impact like no other. Catastrophic events lend unprecedented urgency and depth to personal interactions – and O’Meara’s story takes the broad-scale tragedy of a society coming apart and makes it deeply, achingly personal.
Like my other writer’s reviews, this will be about what I took away from this story as a writer as much as a reader, and as usual it won’t try to avoid spoilers – so if you’re interested in experiencing the story as a reader, I highly recommend you go and read it before you read my analysis of it. It’s well worth it. I’ll wait.
Continue reading “Writer’s review: ‘Heart Emoji at the End of the World’” →
Last week I wrote about my recent spike in anxiety. Since then, I’m happy to report that the brain weasels have remained at bay. But there was another contributing factor in my recent struggle to cope that’s worth taking time to examine: the breakdown of my daily routine.
Continue reading “The importance of routine” →
This week was my latest scheduled catch-up with my psych. As it turned out, it was well-timed.
Continue reading “Forgetting to breathe” →