About the amazing world of secret bone music, the outlaw who became Skeletor, and yet more interestingly-shaped rocks with surprising ancient history.
It has to be the single most common piece of writing advice there is: “Show, don’t tell.” And yet so many of the unpublished stories I read demonstrate that their authors don’t understand it. And honestly, that’s not surprising, because taken literally it’s utter nonsense.
Writing is, by definition, telling. You’re speaking to your reader through words, not pictures. So how the heck are you supposed to do anything but tell them things?
Here’s the secret: yes, all writing is telling. But by choosing what it is you tell your reader, and how you tell it, you can create a vastly more enjoyable reading experience.
About spite houses, prime-numbered cicadas, and a 3,000-year-old stone vulva.
Regarding that last one – some of the text of this post may be considered NSFW. Continue reading “This week I learned: spite houses, periodical cicadas, Utroba Cave”
I’ve had a couple of people ask me about the descriptor I use for myself at the top of this page: “brain weasel wrangler”. So I figure it’s time to explain a bit about the weasels, and to talk about my journey from denial to acceptance.
This is a longer post than my usual, but I hope it will give some of you something to think about when facing your own brain weasels. Warning: discussion ahead of mental illness, brief mention of suicide.
About a superhero cephalopod; animals crossing; and the man behind the Wilhelm scream.
A couple of years ago, at the height of the craze for such things, a couple of people gave me adult colouring books for Christmas. They were beautiful things, full of intricate spirals and minutely detailed images, each one a blank canvas open to a thousand possibilities for filling it with glorious colour.
And my first thought was, What if I get it wrong?
About ants providing medical care for one another after battle; the strange, beautiful tragedy of Nigel the gannet; and an orchestra made of ice.
As an emerging writer, I spend a decent amount of time seeking out and absorbing advice from established writers. Two of the most common tidbits I have come across in my trawling are:
- Forget other people – write for yourself; and
- Write as if your audience was anyone but yourself.
Thank you for travelling with E. H. Mann Dirigibles today. Please fasten your seatbelts, note your nearest exits, and tune in for a word from your (more or less competent) pilot.
Who’s that, then?